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The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune.The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave.
A key system inspired by Boehm's for the clarinet family is also known as the "Boehm system", although it was developed by Hyacinthe Klosé and not Boehm himself. The Boehm system was also adapted for a small number of flageolets. Boehm did work on a system for the bassoon, and Boehm-inspired oboes have been made, but non-Boehm systems remain ...
Wurlitzer Reform Boehm clarinets in B♭ and A with additional mechanisms. The Reform Boehm system is a fingering system for the clarinet based on the Boehm system.It was developed to produce clarinets with the Boehm keywork but with a sound similar to a German clarinet.
The construction of a Boehm system clarinet Mouthpiece with conical ring ligature, made from hard rubber. The reed is attached to the mouthpiece by the ligature, and the top half-inch or so of this assembly is held in the player's mouth. In the past, string was used to bind the reed to the mouthpiece.
Fritz Wurlitzer in his workshop in the 1970s Fritz Wurlitzer Double Bass Clarinet. Fritz Ulrich Wurlitzer (21 December 1888 – 5 or 9 April 1984) was a German clarinet maker, based in Erlbach in Vogtland, Saxony. He developed the Reform Boehm clarinet and made improvements to the Schmidt-Kolbe clarinet [1] and the German bass clarinet. [2]
The Boehm system clarinet and flute are not exactly the same. If one plays the clarinet with the register key on, the fingerings are the same as the flute when the flute is in the lower and middle register. The main differences between the fingering systems of Boehm system clarinets and flutes are overblowing and key. The clarinet's second ...
Klosé was also noted for his design improvements to the clarinet using the principles laid down by Theobald Boehm in his innovative work on the flute keywork. From 1839 to 1843, he enlisted the help of Louis-August Buffet of Buffet-Crampon fame, an instrument-making technician, to construct what is known today as the Boehm system clarinet.
G clarinet — An instrument that today appears in various guises: a "Turkish clarinet" with Albert system keywork and a range to low E, a Boehm or Oehler system instrument to low E made predominantly in Germany, Italy or China, and as a Boehm system instrument with range to low C (basset clarinet in G) in part a revival of the clarinet d'amore ...