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The Cambridge Companions to Music form a book series published by Cambridge University Press. Each book is a collection of essays on the topic commissioned by the publisher. [1] The first was published in 1993, the Cambridge Companion to the Violin. Since then numerous volumes have been published nearly every year, covering a variety of ...
The 24 Caprices for Violin, Op. 22, composed in the early nineteenth century [1] by Pierre Rode, are a series of 24 caprices for solo violin. They cycle through the circle of fifths, presenting each major key and then its relative minor. [2] They were first published in 1813. [3] Violinists often use these caprices in training to develop ...
Similarly, 15 ma (quindicesima) means "play two octaves higher than written" and 15 mb (quindicesima bassa) means "play two octaves lower than written." The abbreviations col 8 , coll' 8 , and c. 8 va stand for coll'ottava , meaning "with the octave", i.e. to play the notes in the passage together with the notes in the notated octaves.
The viola is a larger version of the violin, and has on average a total body length of 27 + 1 ⁄ 4 inches (69.2 cm), with strings tuned a fifth lower than a violin (with a length of about 23 + 3 ⁄ 8 inches (59.4 cm)). The viola's larger size is not proportionally great enough to correspond to the strings being pitched as they are, which ...
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Having played violins from many manufacturers, Henley sought to compile a comprehensive list evaluating violin and bow makers. After Henley's death in 1957, dealer Cyril Woodcock (1897–1980) [1] completed and published the work based on Henley's unfinished notes. The work was first published in five volumes in 1959 and 1960, and republished ...
By shifting in a slur, teachers can see and hear whether the student's shift is relaxed and hushed. The repeated half notes then provide the student time to listen and adjust their intonation as necessary after the shift. Figure 1. Introducing the Positions for Violin, 1944, p. 8. Figure 2. Introducing the Positions for Violin, 1944, p. 9.
Manuscript of the first movement of BWV 1019, third version, copied by Johann Christoph Altnickol. The six sonatas for violin and obbligato harpsichord BWV 1014–1019 by Johann Sebastian Bach are works in trio sonata form, with the two upper parts in the harpsichord and violin over a bass line supplied by the harpsichord and an optional viola da gamba.