Search results
Results from the WOW.Com Content Network
The oppositional gaze is a term coined by bell hooks the 1992 essay The Oppositional Gaze: Black Female Spectators that refers to the power of looking. According to hooks, an oppositional gaze is a way that a Black person in a subordinate position communicates their status. hooks' essay is a work of feminist film theory that discusses the male gaze, Michel Foucault, and white feminism in film ...
That the gaze dehumanizes women into objects of desire is a psychological component of male and female sexuality in Western culture; [33] thus, "men do not simply look; [but] their gaze carries with it the power of action and of possession, which is lacking in the female gaze. Women receive and return a gaze, but cannot act upon it."
The gaze can be understood in psychological terms: "to gaze implies more than to look at – it signifies a psychological relationship of power, in which the gazer is superior to the object of the gaze." [4] In Practices of Looking: An Introduction to Visual Culture (2009), Marita Sturken and Lisa Cartwright said that "the gaze is [conceptually ...
A New Book Explores the African Gaze Med Hondo Amy Sall signs into our Zoom meeting wearing glasses and an off-white top. She looks relaxed and poised as she explains the origin of her new book.
The post The ‘her gaze softened’ trend has people feeling a type of way: ‘Why’d this trigger my fight or flight’ appeared first on In The Know.
Gloria Jean Watkins (September 25, 1952 – December 15, 2021), better known by her pen name bell hooks (stylized in lowercase), [1] was an American author, theorist, educator, and social critic who was a Distinguished Professor in Residence at Berea College. [2]
Young men today are entering the workplace at a time when women are holding senior positions for the first time in some companies' history—and it could be the reason why Gen Z men are feeling ...
The female gaze looks at three viewpoints: the individual who is filming, the characters within the film, and the spectator. These three viewpoints also are part of Mulvey's male gaze, but for the female gaze the focus is on women instead of men. Viewpoints expanded alongside diversity in film genres.