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After sound editors had difficulty finding the right effect, Courage himself made the "whoosh" sound heard while the Enterprise flies across the screen. [ 7 ] He returned to Star Trek to score two more episodes for the show's third and final season, episodes " The Enterprise Incident " and " Plato's Stepchildren ," allegedly as a courtesy to ...
Michael Leslie Winslow (born September 6, 1958) is an American actor, comedian and beatboxer [1] billed as The Man of 10,000 Sound Effects [2] for his ability to make realistic sounds using only his voice. He is best known for his roles in all seven Police Academy films as Larvell Jones.
While there is a recurring musical motif by Dominic Frontiere that sounds quite similar to eight notes of the Star Trek theme, that motif appeared as early as the fifth episode of that series, "Climate of Doubt", which aired October 23, 1964, [11] two months before the Star Trek pilot episode "The Cage" commenced production.
Whoosh may refer to: Whoosh (train), branding for high-speed rail service in Indonesia; Whoosh (Duck Dodgers), a fictional character from the animated TV series Duck Dodgers; Whoosh!, a 2020 album by Deep Purple; Whoosh, a 1996 EP by Doctor Rockit; Whoosh, a sculpture by Kate Davis at the Langdon Park DLR station, London, England; Whoosh!
Foley can also include other sounds, such as doors closing and doorbells ringing; however, these tend to be done more efficiently using stock sound effects, arranged by sound editors. Foley effects help the viewer judge the size of a space. For example, a large hall has strong reverberation, while a small room may have only slight reverberation ...
The Guardian described it as being a "funny and typically meaty mystery from Steven Moffat". [4] Pat Stacey, writing in the Irish Independent said, "Probably the most foolish scene of all came in Tuesday’s finale when Mary threatens journalist Beth ( Lydia West ) ... with a breadknife while making 'whoosh' sounds.
The sound of a bullet entering a person from a close distance may sound nothing like the sound designed in the above example, but since very few people are aware of how such a thing actually sounds, the job of designing the effect is mainly an issue of creating a conjectural sound which feeds the audience's expectations while still suspending ...
Echoes Act 2 also writes out sound effects in Kana, but rather than replicating the noise, it replicates the phenomenon that would create that sound effect (e.g. attaching the word "whoosh" causes a gust of wind to blow by, or "sizzle" will cause something to glow with heat).