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The Crucible is a 1953 play by the American playwright Arthur Miller. It is a dramatized and partially fictionalized [ 1 ] story of the Salem witch trials that took place in the Province of Massachusetts Bay from 1692 to 1693.
The Crucible is a 1961 English language opera written by Robert Ward based on the 1953 play The Crucible by Arthur Miller. It won both the 1962 Pulitzer Prize for Music and the New York Music Critics Circle Citation. The libretto was lightly adapted from Miller's text by Bernard Stambler.
Mary Warren is a character in the play The Crucible by Arthur Miller. True to the historical record, she is a maid for John Proctor, and becomes involved in the Salem witch hunt as one of the accusers, led by Abigail Williams. Mary Warren has a very weak character, giving in to pressure a number of times.
Giles Corey (bapt. Tooltip baptized 16 August 1611 – 19 September 1692) was an English-born farmer who was accused of witchcraft along with his wife Martha Corey during the Salem witch trials in the Province of Massachusetts Bay.
The Crucible is a 1996 American historical drama film directed by Nicholas Hytner and written by Arthur Miller, based on his 1953 play.It stars Daniel Day-Lewis as John Proctor, Winona Ryder as Abigail Williams, Paul Scofield as Judge Thomas Danforth, Joan Allen as Elizabeth Proctor, Karron Graves as Mary Warren, and Bruce Davison as Reverend Samuel Parris.
In John Neal's 1828 novel Rachel Dyer, Martha Corey is depicted as aloof and lacking the mental capacity to understand her legal predicament during her trial. [12] After protagonist George Burroughs fails to defend her in court, the attention of the accusers turn to him and he is convicted and executed as a result. [13]
Samuel Parris (1653 – February 27, 1720) was a Puritan minister in the Province of Massachusetts Bay.Also a businessman and one-time plantation owner, he gained notoriety for being the minister of the church in Salem Village, Massachusetts during the Salem witch trials of 1692.
Conflict was first described in ancient Greek literature as the agon, or central contest in tragedy. [3] According to Aristotle, in order to hold the interest, the hero must have a single conflict. The agon, or act of conflict, involves the protagonist (the "first fighter") and the antagonist (a more recent term), corresponding to the hero and ...
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