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Love's Labour's Lost is one of William Shakespeare's early comedies, believed to have been written in the mid-1590s for a performance at the Inns of Court before Queen Elizabeth I. It follows the King of Navarre and his three companions as they attempt to swear off the company of women for three years in order to focus on study and fasting.
Love's Labour's Lost is a 2000 British musical romantic comedy film written, directed by and starring Kenneth Branagh, based on the comic play of the same name by William Shakespeare. The first feature film to be made of this lesser-known comedy, Branagh's fourth film of a Shakespeare play was a box-office and critical disappointment. [1] [2]
The Complete Works of William Shakespeare is the standard name given to any volume containing all the plays and poems of William Shakespeare.Some editions include several works that were not completely of Shakespeare's authorship (collaborative writings), such as The Two Noble Kinsmen, which was a collaboration with John Fletcher; Pericles, Prince of Tyre, the first two acts of which were ...
Costard is a comic figure in the play Love's Labour's Lost by William Shakespeare. A country bumpkin, he is arrested in the first scene for flouting the king's proclamation that all men of the court avoid the company of women for three years. While in custody, the men of the court use him to further their own romantic endeavors.
Love's Labour's Won is a lost play attributed by contemporaries to William Shakespeare, written before 1598 and published by 1603, though no copies are known to have survived. Scholars dispute whether it is a true lost work, possibly a sequel to Love's Labour's Lost , or an alternative title to a known Shakespeare play.
Love's Labor Lost is a 1920 short, animated film by Bray Productions and is one of the silent Krazy Kat cartoons. [1] The film's title references a play by William Shakespeare . Plot
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The two minor partners in the First Folio, William Aspley and John Smethwick, continued as partners in the Second Folio syndicate; Aspley owned the rights to Much Ado About Nothing and Henry IV, Part 2, while Smethwick owned the rights to Love's Labour's Lost, Romeo and Juliet, Hamlet, and The Taming of the Shrew.
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