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The Vitruvian Man depicts a nude man facing forward and surrounded by a square, while superimposed on a circle. [2] The man is portrayed in different stances simultaneously: His arms are stretched above his shoulders and then perpendicular to them, while his legs are together and also spread out along the circle's base. [ 2 ]
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Such images are regulated by Articles 106 et seq. of the Italian Code of Cultural Heritage and Landscape under Legislative Decree No. 42, dated January 22, 2004, and its subsequent amendments. These regulations, unrelated to copyright regulations, establish a system for the protection of Italy’s historic and artistic heritage and its ...
Vitruvian Man c. 1492 by Leonardo da Vinci. Based on proportions identified by Vitruvius, the drawing shows a man where the arm span is equal to the height, giving an ape index of 1. Ape index, ape factor, [1] or gorilla index is slang or jargon used to describe a measure of the ratio of an individual's arm span relative to their height.
Vitruvian Man, created by Leonardo da Vinci around the year 1492, [26] is based on the theories of the man after which the drawing takes its name, Vitruvius, who in De Architectura: The Planning of Temples (c. I BC) pointed that the planning of temples depends on symmetry, which must be based on the perfect proportions of the human body.
The Vitruvian Man developed by Leonardo da Vinci based on the description of Vitruvius' ideal ratio of the human body. Commemorative coin illustrating Le Corbusier's Modulor Church of Sant'Alessandro, Lucca, Italy: proportions of first construction phase of the façade ad triangulum and today's façade ad quadratum.
"I am communicating freedom," says Jerron Herman, 31, a professional dancer with cerebral palsy who has performed at the Kennedy Center and Whitney Museum.
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