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The resurrection of Jesus (Biblical Greek: ἀνάστασις τοῦ Ἰησοῦ, romanized: anástasis toú Iēsoú) is the Christian belief that God raised Jesus from the dead on the third day [note 1] after his crucifixion, starting – or restoring [web 1] [note 2] – his exalted life as Christ and Lord.
The raising of holy people who had died points to 'the resurrection of the last days' (Isaiah 26:19; Daniel 12:2) which starts with Jesus' resurrection. [2] It is only reported in Matthew, tied to the tearing of the temple curtain as the result of the earthquake noted in verse 51. [3]
The text also makes no note of why there is a two-day delay between the opening of the tombs upon Jesus' death and the saints' appearance in the city only after Jesus' resurrection. If these events only happen two days hence, why are they mentioned here and not with the miraculous events of the resurrection in Matthew 28:2? Some later ...
In the Catacombs of Rome, artists just hinted at the Resurrection by using images from the Old Testament such as the fiery furnace and Daniel in the Lion's Den. The period between the year 250 AD and the liberating Edict of Milan in 313 AD saw violent persecutions of Christians under Decius and Diocletian. The most numerous surviving examples ...
The raising of Lazarus is a story of the miracle of Jesus recounted in the Gospel of John (John 11:1–44) in the New Testament, as well as in the Secret Gospel of Mark (a fragment of an extended version of the Gospel of Mark) in which Jesus raises Lazarus of Bethany from the dead four days after his entombment.
The raising of the son of the widow of Nain (or Naim) [1] is an account of a miracle by Jesus, recorded in the Gospel of Luke chapter 7. Jesus arrived at the village of Nain during the burial ceremony of the son of a widow, and raised the young man from the dead. (Luke 7:11–17) The location is the village of Nain, two miles south of Mount Tabor.
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Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...