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"Interstate Love Song" is a single by American rock band Stone Temple Pilots. Released in 1994, the song was released as the third single from the band's second studio album, Purple . One of the band's biggest hits, "Interstate Love Song" reached number one on the US Billboard Album Rock Tracks chart on September 17, 1994, replacing the band's ...
The song was also one of the first alternative rock songs to reach the number-one spot on the Album Rock Tracks chart during the height of the alternative rock/grunge scene. "Plush" won in the category of "Best Hard Rock Performance" at the 1994 Grammy Awards. The music video also earned the band an MTV Video Music Award for Best New Artist in ...
Scott Richard Weiland (/ ˈ w aɪ l ə n d /, WY-lənd; né Kline; October 27, 1967 – December 3, 2015) was an American singer and songwriter.He was best known as the lead vocalist of the rock band Stone Temple Pilots from 1989 to 2003 and again from 2008 to 2013, recording six albums with them.
"Pretty Penny" is a 1995 promo single from Stone Temple Pilots' 1994 album Purple. It differs greatly in style from the rest of the songs on the album, and serves as a calm, acoustic interlude between the distorted and delirious "Still Remains" and the aggressive, sinister "Silvergun Superman".
Ten songs had runs at number one of ten weeks or longer during the 1990s, with the longest coming from "Touch, Peel and Stand" by Days of the New at 16 weeks. ("Higher" by Creed spent 17 weeks at the top of the chart but its last couple of weeks ran into the year 2000). By 1996, rock radio stations had become more song-driven rather than album ...
A train song is a song referencing passenger or freight railroads, often using a syncopated beat resembling the sound of train wheels over train tracks.Trains have been a theme in both traditional and popular music since the first half of the 19th century and over the years have appeared in nearly all musical genres, including folk, blues, country, rock, jazz, world, classical and avant-garde.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
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