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Traditionally, the philosophical investigation of perception has focused on the sense of vision as the paradigm of sensory perception. [18] However, studies on the other sensory modalities, such as the sense of smell, can challenge what we consider characteristic or essential features of perception. Take olfaction as an example.
(This can lead to the belief that different things are right according to each idiosyncratic moral outlook.) One implication of these beliefs is that, unlike the moral skeptic or the non-cognitivist, the subjectivist thinks that ethical sentences, while subjective, are nonetheless the kind of thing that can be true or false depending on situation.
Originating in philosophical and scientific writings, sensibility became an English-language literary movement, particularly in the then-new genre of the novel. Such works, called sentimental novels, featured individuals who were prone to sensibility, often weeping, fainting, feeling weak, or having fits in reaction to an emotionally moving ...
David Bleich is an American literary theorist and academic. He is noted for developing the Bleich "heuristic", a reader-response approach to teaching literature. [1]He is also a proponent of reader-response criticism to literature, advocating subjective interpretations of literary texts.
Subjective reader-response theory, associated with David Bleich, looks entirely to the reader's response for literary meaning as individual written responses to a text are then compared to other individual interpretations to find continuity of meaning. [7]
The Death of the Author" (French: La mort de l'auteur) is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes' essay argues against traditional literary criticism's practice of relying on the intentions and biography of an author to definitively explain the "ultimate meaning" of a text. Instead, the ...
Since all literary works, almost by definition, contain notional content, aesthetic theories that rely on purely formal qualities tend to overlook literature. The very existence of narrative raises philosophical issues. In narrative, a creator can embody, and readers be led to imagine, fictional characters, and even fantastic creatures or ...
Time perception can be used as a tool in social networks to define the subjective experiences of each node within a system. This method can be used to study characters' psychology in dramas, both film and literature, analyzed by social networks. Each character's subjective time may be calculated, with methods as simple as word counting, and ...