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Hatikvah (Hebrew: הַתִּקְוָה, romanized: hattiqvā, ; lit. ' The Hope ') is the national anthem of the State of Israel.Part of 19th-century Jewish poetry, the theme of the Romantic composition reflects the 2,000-year-old desire of the Jewish people to return to the Land of Israel in order to reclaim it as a free and sovereign nation-state.
L'Shana Haba'ah B'Yerushalayim (Hebrew: לְשָׁנָה הַבָּאָה בִּירוּשָלָיִם), lit. " Next year in Jerusalem ", is a phrase that is often sung at the end of the Passover Seder and at the end of the Ne'ila service on Yom Kippur .
Jerusalem of Gold" (Hebrew: ירושלים של זהב, Yerushalayim Shel Zahav) is an Israeli song written by Naomi Shemer. Often contrasted to Israel's national anthem, Hatikva , the original song expressed the deep longing of many Jews to return to Jerusalem 's Old City and eastern areas.
"Shabekhi Yerushalayim" (Hebrew: שבחי ירושלים, "Praise the Lord, Jerusalem!"), based on Psalms 147:12–13 (lyrics) and Avihu Medina, performed by Glykeria and many others "Yefe Noff" ( Hebrew : יפה נוף , "Beautiful scenery"), written by Judah Halevi 12th cet., based on Psalms 48:3, performed by Etti Ankri
Jerusalem-Yerushalayim is an oratorio composed by Antony Pitts [1] between 2006-2008, [2] and is scored for SATB soloists, semi-chorus, full chorus, and ensemble including harp, piano, and organ. The oratorio tells the Biblical story of Jerusalem [ 3 ] and the text is based directly on the Old Testament .
Am Yisrael Chai (Hebrew: עם ישראל חי; meaning "The people of Israel live") is a slogan of Jewish solidarity, popularized by several different songs which incorporate it.
Uniquely, the song's lyrics mention the houses of worship of all three Abrahamic faiths, [12] stressing the city of Jerusalem's historical and religious diversity, which Joseph Massad contrasts with Israeli song "Jerusalem of Gold", interpreted instead an expression of solely exclusivist Jewish narratives and Zionist ideology.
In his introduction to the third edition of Mediaeval Hymns and Sequences in 1867 Neale noted that "Jerusalem the Golden" had already been published in twenty hymnals. As well as being adopted for Church of England services, it had become popular with English Dissenters and was being used in Roman Catholic churches. He remarked that "for the ...