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"Take Me Home, Country Roads", also known simply as "Country Roads", is a song written by Bill Danoff, Taffy Nivert and John Denver. It was released as a single performed by Denver on April 12, 1971, peaking at number two on Billboard ' s US Hot 100 singles for the week ending August 28, 1971.
Funky Kingston's lyrics refer to the difficulties of being working-class, of living in the country in Jamaica, and celebrating life despite ongoing hardship. [9] In general, Funky Kingston is considered an authentic reflection of Jamaican music at the time. While other Jamaican recordings had additions by record producers in an effort to ...
The music of Jamaica includes Jamaican folk music and many popular genres, such as mento, ska, rocksteady, reggae, dub music, dancehall, reggae fusion and related styles. Reggae is especially popular through the fame of Bob Marley .
Leroy Sibbles (born Leroy Sibblies, 29 January 1949) is a Jamaican reggae musician and producer. He was the lead singer for The Heptones in the 1960s and 1970s.. In addition to his work with The Heptones, Sibbles was a session bassist and arranger at Clement "Coxsone" Dodd's Jamaica Recording and Publishing Studio and the associated Studio One label during the prolific late 1960s.
Rocksteady is a music genre that originated in Jamaica around 1966. [1] A successor of ska and a precursor to reggae, rocksteady was the dominant style of music in Jamaica for nearly two years, performed by many of the artists who helped establish reggae, including harmony groups such as the Techniques, the Paragons, the Heptones and the Gaylads; soulful singers such as Alton Ellis, [2] Delroy ...
Joe White was born William Joseph White in Kingston, Jamaica, on 4 September 1941. He was raised in a single-parent household by his mother Veronica Topey. He attended the Alpha Boys’ School at South Camp Road in Kingston. He acquired a trade in tailoring. [1] In addition to being a vocalist, Joe White played the piano and melodica.
In 2004 he was awarded the Order of Distinction (Commander Class) by the Jamaican government for his contribution to Jamaican music. [4] [13] Holt's style, notably slower and more romantic than most of his contemporaries, is a recognisable forerunner of the lovers rock subgenre.
The contrast between Chaplin's "culture" lyrics and the other major deejays of the day led to the 1984 "clash" album with Yellowman Slackness Vs Pure Culture. Que Dem (1985), was produced by George Phang and he continued recording, working with Bunny Roots, Josey Wales , Sly & Robbie , Henry "Junjo" Lawes , Roots Radics and Doctor Dread .