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Futura is a geometric sans-serif typeface designed by Paul Renner and released in 1927. [1] It was designed as a contribution on the New Frankfurt-project.It is based on geometric shapes, especially the circle, similar in spirit to the Bauhaus design style of the period.
This list of fonts contains every font shipped with Mac OS X 10.0 through macOS 10.14, including any that shipped with language-specific updates from Apple (primarily Korean and Chinese fonts).
Othello (1934), a revision of an 1884 face issued by the Central Type Foundry of Saint Louis (merged with ATF in 1892), though just as probably a big F-U to Bauer Type Foundry for Futura Display. Shadow (1934) Headline Gothic (1935) Phenix (1935), originally called Acquitaine. [14] Headline Gothic (1936), not to be confused with the Ludlow font ...
Futura (carattere) Usage on ja.wikipedia.org Futura; Usage on ko.wikipedia.org 푸투라; Usage on nl.wikipedia.org Lijst van lettertypen; Usage on no.wikipedia.org Grotesk (skrift) Usage on ru.wikipedia.org Реннер, Пауль; Usage on sv.wikipedia.org Vox-ATypI; Usage on tl.wikipedia.org Talaan ng mga pamilya ng tipo ng titik na sans ...
Bernhard Gothic is a family of geometric sans serif typeface designed by Lucian Bernhard in 1929 for the American Type Founders (ATF).Five variations by Bernhard were introduced over two years:
It was created as a competitor to the successful Futura typeface for Monotype's hot metal typesetting system. Like Futura it has a single-story 'a' and a straight 'j' with no bend. A very large font family, Twentieth Century is particularly known for a limited range of styles being bundled with many Microsoft products such as Office. [1]
American Type Founders was the largest producer of foundry type in the world, not only of in-house designs, but also from designs that came from merged firms. Many of its designs were created or adapted by Morris Fuller Benton, his father Linn, Joseph W. Phinney or Frederic Goudy.
Monotype Grotesque was somewhat overshadowed from the late 1920s due to the arrival of new sans-serifs such as Kabel, Futura and Gill Sans, also by Monotype. With their cleaner, more constructed and geometric appearance, these designs came to define graphic design of the 1930s, especially in Britain and parts of Europe.