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The Clarinet Concerto was one of the three items chosen for the gala concert in Copenhagen celebrating the 150th anniversary of Carl Nielsen's birth. Accompanied by Danmark Radio's Symphony Orchestra conducted by Juanjo Mena , the soloist was the Finnish clarinetist Olli Leppäniemi (born 1980).
The modern clarinet did not exist before about 1700. There are, however, a number of concertos written for its antecedent, the chalumeau.. The discovery of six clarinet concertos by Johann Melchior Molter (1696–1765) — the first of which may date from 1743 [5] — and three concerti grossi for clarinet and oboe written by Antonio Vivaldi (1678–1741) as far back as 1711 [6] have led music ...
A number of concertos and concertante works have been written for cor anglais (English horn) and string, wind, chamber, or full orchestra.. English horn concertos appeared about a century later than oboe solo pieces, mostly because until halfway through the 18th century different instruments (the taille de hautbois, vox humana and the oboe da caccia) had the role of the tenor or alto ...
The Clarinet Concerto ends with a fairly elaborate coda in C major that finishes off with a clarinet glissando – or "smear" in jazz lingo." The piece is written in a very unusual form. The two movements are played back-to-back, linked by a clarinet cadenza .
Along with clarinet concertos by Franz Xaver Süssmayr and Mozart (Clarinet Concerto), it was recorded on the Novalis label by Dieter Klöcker and the English Chamber Orchestra in 1994. It was also recorded in 2000 on the Cavalli Records label by Peter Rabl and Concilium Musicum Wien (on period instruments) conducted by Paul Angerer, along with ...
The music unfolds in fits and starts, with the clarinet breaking loose like some avant-garde jazz improviser, and the orchestra erupting in dense chords that sound like drive-by whooshes." [2] Richard Fairman of the Financial Times similarly wrote, "At times the concerto feels like a musical, out-of-body experience."
Clarinet Concerto (Copland) Clarinet Concerto (Corigliano) D. D'Om le Vrai Sens; Duet concertino for clarinet and bassoon; E. Ebony Concerto (Stravinsky)
Then the music calms down, and the cellos prepare for the entrance the clarinet will make. When the clarinet enters, it brings back the same emotions as when the soloist entered for the first time. It seems like the clarinet yearns to play the light, innocent theme heard before. It finally gets its wish, bringing back the melody played earlier.
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