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Stryper is an American Christian metal and heavy metal band from La Mirada, California. The group's lineup consists of Michael Sweet (lead vocals, guitar), Oz Fox (guitar), Perry Richardson (bass), and Robert Sweet (drums).
Stryper will bring their 40-year history of black and yellow outfits and melodic hard rock with its Christian message to Wichita this Saturday for a show at Temple Live at 8 p.m.
The band made the most of what could've been an ill-fated night at the Whisky a Go Go in West Hollywood. Stryper Perform with Battery-Powered Amps and No Mics After Power Goes Out Before Set ...
In order to hit the girlishly high vocals of Stryper's "Sing A Long Song," The Eddies actually slowed the tape down and recorded the song at that speed. Then, once the tape was sped back up to the regular speed, Camarillo ends up sounding like a long lost Sweet brother on steroids. The reaction to the album was mixed.
The classic sound on No More Hell to Pay is similar to the band's sound from its peak in the 1980s, but features a new maturity and grittiness. [2] At CCM Magazine, Andy Argyrakis described the album as equal parts aggressive and melodic with massive guitar solos and layered harmonies, and noted that it intentionally references the band's early days without sounding dated. [3]
Soldiers Under Command is the second release, and first full-length studio album from Christian metal band Stryper, released on August 23, 1985. [5] It was the first Christian metal album to achieve Gold record status, selling more than half a million copies. The album was originally issued on white vinyl.
7 Weeks: Live in America, 2003 is the eighth release and first live album by Christian metal band Stryper. Released on May 18, 2004, it was recorded during the band's reunion tour in 2003. Released on May 18, 2004, it was recorded during the band's reunion tour in 2003.
The Yellow and Black Attack is the debut EP by American Christian metal band Stryper.It was originally released in 1984 as a six-song EP, and fewer than 20,000 copies were pressed, as their label, Enigma Records, was unsure of the potential market for Christian metal.