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Thank Me Later is the debut studio album by Canadian rapper Drake. It was released on June 15, 2010, by Young Money Entertainment, Cash Money Records, and Universal Motown Records. Production for the album took place at various recording studios during 2009 to 2010 and was mostly produced by longtime collaborators 40 and Boi-1da.
The lead single from his debut album, Thank Me Later, it was written by Drake with Boi-1da, and produced by the latter and Al Khaaliq (Nick Brongers). [1] The orchestral samples were composed and arranged by Brongers. [2] The single was released for digital download on March 8, 2010.
"9AM in Dallas" is a song by rapper Drake from his debut album Thank Me Later. [1] It was released as a promotional track for the album on June 12, 2010, with its eventual release onto the iTunes Store on June 15. [2] The song features the rapper making a freestyle, and due to strong sales it charted at number 57 in the Billboard Hot 100 ...
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Take Care is the second studio album by Canadian rapper Drake.It was released on November 15, 2011, by Young Money Entertainment, Cash Money Records and Republic Records.The album features guest appearances from the Weeknd, Rihanna, Kendrick Lamar, Birdman, Nicki Minaj, Rick Ross, Stevie Wonder, Lil Wayne, and André 3000.
The title is a reference to the 1995 drama film Kids, which is quoted throughout the mixtape. [3] [4] It was later commercially released on April 29, 2020. [5] A deluxe version was released on its 10th anniversary and includes two new tracks, "Ayye" and "Back In The Day". [6]
"Fireworks" is a song by Canadian rapper Drake featuring American singer Alicia Keys from his debut album Thank Me Later (2010). The artists previous collaborated on Keys' "Un-Thinkable (I'm Ready)". Originally, it was supposed to be the fourth single, but it was changed to Fancy.
It's still in the top 100 albums of all time over 40 years later." [4] Free to Be faced backlash from some conservative religious leaders, including Evangelical author and psychologist James Dobson. [6] In her 2010 memoir, Growing Up Laughing, Thomas reflected on the astonishing impact the Free to Be projects had on the culture.