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Title page, second edition, 1761. Carceri d'invenzione, often translated as Imaginary Prisons, is a series of 16 etchings by the Italian artist Giovanni Battista Piranesi, 14 produced from c. 1745 to 1750, when the first edition of the set was published.
Giovanni Battista (or Giambattista) Piranesi (Italian pronunciation: [dʒoˈvanni batˈtista piraˈneːzi;-eːsi]; also known as simply Piranesi; 4 October 1720 – 9 November 1778) was an Italian classical archaeologist, architect, and artist, famous for his etchings of Rome and of fictitious and atmospheric "prisons" (Carceri d'invenzione).
Veduta della Rotonda (the Pantheon, Rome), Laura Piranesi. Laura Piranesi (1754–1789) was an Italian etcher working in Rome towards the end of the 18th century. She was an active participant in her family's print workshop, run by her father Giovanni Battista Piranesi, an Italian artist, etcher, and antiquarian.
The National Gallery's print collection comprises 75,000 prints, in addition to rare illustrated books. It includes collections of works by Albrecht Dürer, Rembrandt, Giovanni Battista Piranesi, William Blake, Mary Cassatt, Edvard Munch, Jasper Johns, and Robert Rauschenberg. The collection began with 400 prints donated by five collectors in 1941.
Pietro Labruzzi portrait of Giovanni Battista Piranesi. Pietro Labruzzi (1739–1805) was an Italian painter of the Neoclassical period, active in Rome and Poland. He is best known for his altarpieces and portraits. He was born and died in Rome. Pietro was recruited as a painter for the court of Stanislaus Augustus, King of Poland. [1]
Francesco Piranesi was born in Rome, the eldest son of Giovanni Battista Piranesi and his wife, Angela Pasquini. He was instructed in engraving by his father, together with his older sister Laura (1754–1789), also a noted engraver by the time of her early death. He was both engraving his own works of art and assisting his father's work by 1775.
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