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Symphonic Songs are as much a suite of dances or scenes as songs, deriving their name from the tendency of the principal parts to sing out a fairly diatonic tune against whatever rhythm develops in the middle instruments. The Serenade has the feeling of strumming, from which the title is obtained, otherwise it bears little resemblance to the ...
Symphony No. 1, "A Richer Dust" for Speaker and Wind Orchestra (2014) John Corigliano Symphony No. 3, "Circus Maximus" (2004) Hugh Dixon Symphony for Concert Band (2006) Johan de Meij Symphony No. 3, "Planet Earth" (2006) Symphony No. 4, "Sinfonie der Lieder (Symphony of Songs)" (2013) Symphony No. 5, "Return to Middle Earth" (2018) Martin Ellerby
Also various compositions that contain "symphony" or "sinfonia" in their name are included, whether or not strictly speaking they adhere to the format of a classical symphony. Sinfonia concertante is a different genre, and works of that genre are not included here, unless for those named works that are usually known as a symphony.
Music for alto saxophone and orchestra (1993/95)—Bertold Hummel; Cyber Bird Concerto, for alto saxophone and orchestra, Op. 59 (1994)—Takashi Yoshimatsu; My Assam Dragon for alto saxophone and orchestra (1994/1996)—Jan Sandström; Chamber Symphony No. 3 for alto saxophone and 20 string instruments(1995–96)—Kalevi Aho
This is a list of composers who have written symphonies, listed in chronological order by year of birth, alphabetical within year. It includes only composers of significant fame, notability or importance who have Wikipedia articles. For lists of music composers by other classifications, see Lists of composers.
A concert band, also called a wind band, wind ensemble, wind symphony, wind orchestra, symphonic band, the symphonic winds, or symphonic wind ensemble, [1] is a performing ensemble consisting of members of the woodwind, brass, and percussion families of instruments, [2] and occasionally including the harp, double bass, or bass guitar.
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Grande symphonic Fantasie on themes from Berlioz's 'Lelio', S. 120; Fantasy on a Theme from Beethoven's The Ruins of Athens, S. 122 (1848–52) Malediction for piano and string orchestra, S. 121; De Profundis – Psaume instrumental, S. 121a; Fantasy on Hungarian Folk Songs, S. 123 (1852) Grand solo de concert, S. 365 (prepared by Leslie Howard)