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J. R. R. Tolkien was a scholar of English literature, a philologist interested in language and poetry from the Middle Ages, especially that of Anglo-Saxon England and Northern Europe. His professional knowledge of poetical works such as Beowulf and Sir Gawain and the Green Knight shaped his fictional world of Middle-earth.
His professional knowledge of Beowulf, telling of a pagan world but with a Christian narrator, [2] helped to shape his fictional world of Middle-earth. His intention to create what has been called "a mythology for England" [T 2] led him to construct not only stories but a fully-formed world, Middle-earth, with languages, peoples, cultures, and ...
Classical music inspired by Middle-earth includes Johan de Meij's Symphony No. 1 "The Lord of the Rings" and Aulis Sallinen's Symphony No. 7 The Dreams of Gandalf. [33] Among many works of popular music that reference Tolkien's works is the Led Zeppelin song " Ramble On ", in which Gollum and the Dark Lord ( Sauron ) get up to some surprising ...
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Middle-earth is the setting of much of the English writer J. R. R. Tolkien's fantasy. The term is equivalent to the Miðgarðr of Norse mythology and Middangeard in Old English works, including Beowulf. Middle-earth is the oecumene (i.e. the human-inhabited world, or the central continent of Earth) in Tolkien's imagined mythological past.
J. R. R. Tolkien built a process of decline and fall in Middle-earth into both The Silmarillion and The Lord of the Rings.. The pattern is expressed in several ways, including the splintering of the light provided by the Creator, Eru Iluvatar, into progressively smaller parts; the fragmentation of languages and peoples, especially the Elves, who are split into many groups; the successive falls ...
Tolkien meant Arda to be "our own green and solid Earth", seen here in the Baltistan mountains, "at some quite remote epoch in the past". [1]In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, [a] began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe.
Faramir's taxonomy of Men of Middle-earth [1] High Men Men of the West Númenóreans Middle Men Men of the Twilight Wild Men Men of the Darkness The Three Houses of Edain who went to Númenor, and their descendants Edain of other houses who stayed in Middle-earth; they became the barbarian nations of Rhovanion, Dale, the House of Beorn, and the ...