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Merrily We Go to Hell is a 1932 pre-Code film directed by Dorothy Arzner, and starring Fredric March and Sylvia Sidney. The supporting cast features a prominent early appearance by Cary Grant , billed ninth in the cast but with a larger part than this would suggest.
Sylvia Sidney (born Sophia Kosow; [1] August 8, 1910 – July 1, 1999) was an American stage, screen, and film actress whose career spanned 70 years. She rose to prominence in dozens of leading roles in the 1930s.
Merrily We Go to Hell: Charlie Baxter: UK title: Merrily We Go to _____ [4] [5] Singapore Sue: First Sailor (uncredited) Short film Blonde Venus: Nick Townsend: Hot Saturday: Romer Sheffield: Madame Butterfly: Lieutenant B.F. Pinkerton: 1933 She Done Him Wrong: Capt. Cummings: The Woman Accused: Jeffrey Baxter: The Eagle and the Hawk: Henry ...
A fact from Merrily We Go to Hell appeared on Wikipedia's Main Page in the Did you know column on 17 October 2010 (check views).The text of the entry was as follows: Did you know... that many newspapers refused to publicize the 1932 Pre-Code film Merrily We Go to Hell because of its racy title?
Merrily We Roll Along is a 1981 musical based on the 1934 play of the same name by George S. Kaufman and Moss Hart. The book of the musical was written by George Furth with lyrics and music by Stephen Sondheim. Hal Prince directed the original production, which opened on Broadway in 1981 and closed after 16 performances. [3]
Mayer writes that Arzner's films "show again and again that when a man believes he can own a woman and women have to compete for men, then romance, loyalty and friendship go out the window." [ 6 ] In Craig's Wife , Arzner offers the possibility of women's community after the instability of heterosexual romance with a final scene between Harriet ...
When fictional television anchor Howard Beale leaned out of the window, chanting, "I'm mad as hell, and I'm not going to take it anymore!" in the 1976 movie 'Network,' he struck a chord with ...
They sit down by the window to watch for Pinkerton's approach. Suzuki and Trouble fall asleep, but Cho-Cho San continues to watch all night through the morning. Suzuki wakes and encourages Cho-Cho San to go to bed. Dejected, she still believes Pinkerton will come, despite Suzuki's warnings that "men always forget."