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Detail of the lady's head. The painting was executed in oils on a relatively small, 54 cm × 39 cm (21 in × 15 in) walnut wood panel. [9] [10] It depicts a half-height woman turned toward her right at a three-quarter angle, but with her face turned toward her left. [11]
The painting is full of depictions of grief, pain, horror, and death. [14] Fyodor Bruni. Screaming Head (drawing for the painting The Brazen Serpent) In the center of the painting, in the background, is the prophet Moses, pointing with his staff at the brass serpent and signaling with his other hand to approach it.
The Madonna and Child with St. Anne (Dei Palafrenieri) or Madonna and the Serpent [1], is one of the mature religious works of the Italian Baroque master Caravaggio, painted in 1605–1606, for the altar of the Archconfraternity of the Papal Grooms (Italian: Arciconfraternita di Sant'Anna de Parafrenieri) [2] in the Basilica of Saint Peter [3] and taking its theme from Genesis 3:15.
The Snake Charmer (French: La Charmeuse de Serpents) is a 1907 oil-on-canvas painting by French Naïve artist Henri Rousseau (1844–1910). It is a depiction of a woman with glowing eyes playing a flute in the moonlight by the edge of a dark jungle with a snake extending toward her from a nearby tree.
The main elements are intertwined; the serpent is coiled around the tree trunk and also around Death, who he holds to the tree. Death's right arm extends upward to grasp the apple. The serpent, which has red eyes and a weasel-like head, closes its jaws around the wrist of Death's left arm, which is at the same time grasping the left arm of Eve ...
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Bai Suzhen is often depicted as a white snake with the ability to transform into a beautiful young woman. During earlier depictions of this script – the Tang tale “Li Huang” and the Song “huaben” version Bai Suzhen was shown as a she-demon who was a malevolent seductress.