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Delirious New York: A Retroactive Manifesto for Manhattan is a 1978 book, written by Dutch architect Rem Koolhaas.The book serves as a retroactive manifesto for Manhattan between 1850 and 1960, analyzing the development of architecture and urban design throughout New York's history from the founding of New Amsterdam by the Dutch, to the design of the Headquarters of the United Nations by Le ...
Rem Koolhaas inspecting the Seattle Central Library model in 2005. Koolhaas first came to public and critical attention with OMA (The Office for Metropolitan Architecture), the office he founded in 1975 together with architects Elia Zenghelis, Zoe Zenghelis and (Koolhaas's wife) Madelon Vriesendorp in London.
The book was first published by Monacelli Press in 1995 in New York and 010 Publishers in Rotterdam. It is a 1376-page-long collection of essays, diary excerpts, travelogues, photographs, architectural plans, sketches and cartoons produced by the Rotterdam-based Office for Metropolitan Architecture (founded by Koolhaas) in the twenty years prior to publication.
His buildings have redefined skylines, earning Rem Koolhaas awards and legions of fans. But whatever you do, don’t call him a starchitect. Rem Koolhaas: ‘In all my buildings, I’m trying to ...
In 1993, Rem Koolhaas calls for interconnections amongst built architecture, requiring a more continuous poche in the figure ground, in his recognized book S, M, L, XL. Koolhaas explained that architects’ fixation on the objectivity of a building, disregarding its coherence with the urban context.
The Office for Metropolitan Architecture (OMA) is an international architectural firm with offices in Rotterdam, New York, Hong Kong, Doha, and Australia. The firm is currently led by eight partners - Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and managing partner and architect David Gianotten.
Volume was created as a global idea platform to voice architecture, any way, anywhere, anytime. Founded by Ole Bouman , Rem Koolhaas and Mark Wigley in 2005, Volume is set out to be not only a magazine, but also a studio and a school.
Architecture critics claim that "Mr. Koolhaas, of the Office for Metropolitan Architecture, has always been interested in making buildings that expose the conflicting energies at work in society, and the CCTV building is the ultimate expression of that aim," thus giving rise to "the slippery symbolism of its exterior."