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Tribal art is the visual arts and material culture of indigenous peoples.Also known as non-Western art or ethnographic art, or, controversially, primitive art, [1] tribal arts have historically been collected by Western anthropologists, private collectors, and museums, particularly ethnographic and natural history museums.
In Western culture, racism is sometimes viewed as an institutionalized, ingrained facet of society. Postcolonial feminists want to force feminist theory to address how individual people can acknowledge racist presumptions, practices, and prejudices within their own lives attempting to halt its perpetuation through awareness.
Specific to Westernization and the non-Western culture, foreign societies tend to adopt changes in their social systems relative to Western ideology, lifestyle, and physical appearance, along with numerous other aspects, and shifts in culture patterns can be seen to take root as a community becomes acculturated to Western customs and ...
Similarly, one cannot argue that Western epistemology is unjustly promoted in non-Western societies if one believes that those epistemologies are good. [20]) Therefore, those who disagree with cultural relativism and/or constructivism may critique the employment of the term, cultural imperialism on those terms.
A West at the peak of its power confronts non-Western countries that increasingly have the desire, the will and the resources to shape the world in non-Western ways. Cultural characteristics and differences are less mutable and hence less easily compromised and resolved than political and economic ones.
The 1978 book Orientalism, by Edward Said, was highly influential in further establishing concepts of the East–West dichotomy in the Western world, bringing into college lectures a notion of the East as "characterized by religious sensibilities, familial social orders, and ageless traditions" in contrast to Western "rationality, material and ...
As an epistemology (i.e., a study of knowledge, its nature, and verifiability), ethics (moral philosophy), and as a political science (i.e., in its concern with affairs of the citizenry), the field of postcolonialism addresses the matters that constitute the postcolonial identity of a decolonized people, which derives from: [2]
Cliteur rejects all political correctness on the issue: Western culture, the Rechtsstaat (rule of law), and human rights are superior to non-Western culture and values. They are the product of the Enlightenment. Cliteur sees non-Western cultures not as merely different but as anachronistic.