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Street art influence in politics refers to the intersection of public visual expressions and political discourse.Street art, including graffiti, murals, stencil art, and other forms of unsanctioned public art, has been an instrumental tool in political expression and activism, embodying resistance, social commentary, and a challenge to power structures worldwide.
Stencil graffiti is a form of graffiti that makes use of stencils made out of paper, cardboard, or other media to create an image or text that is easily reproducible. The desired design is cut out of the selected medium and then the image is transferred to a surface through the use of spray paint or roll-on paint.
The extensive lettering possible with stencils makes it especially attractive to political artists. For example, the anarcho-punk band Crass used stencils of anti-war , anarchist , feminist and anti-consumerist messages in a long-term graffiti campaign around the London Underground system and on advertising billboards.
Kurar is a stencil graffiti artist and he belongs to the international street art movement. His techniques include fresco, stencil and collage. [8] He uses contrast, mainly between grey, black and fluorescent colors, to highlight the important ideas and details in his works [3] "Surbanisation part II" / 2018
Gagosh is the pseudonym of a Tbilisi, Georgia-based street artist who creates stencils, installations, street poetry and mosaics.His work protests social issues such as the shortage of green space in Tbilisi, labor rights, unemployment, air pollution, social stigmas, the inconvenience of Tbilisi streets for disabled people, exceeded politics and lack of love in society.
One installation (a direct reference to Banksy's "elephant in the room" piece) was of a male figure hanging from a belt from the ceiling and painted to match the wallpaper designs on the wall, camouflaging the lifeless figure. A number of the original stencils used in the graffiti campaign were on display. [16]
Unlike the conventional painted designs and the recent popularity for stencil graffiti, these new works are essentially a form of poster art. Smaller designs are typically monochrome photocopies (some of which may be hand coloured) while others have been printed as self-adhesive stickers which are often affixed to roadside traffic signs.
Josh MacPhee's work as a socially-engaged artist and designer focuses on the production and distribution of political graphics. Originally from Holliston, Massachusetts, MacPhee was influenced at an early age by the work of Seth Tobocman and Peter Kuper. [2] He attended Oberlin College and studied media and culture while publishing the zine ...
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