Search results
Results from the WOW.Com Content Network
Yard with Lunatics (Spanish: Corral de locos) is a small oil-on-tinplate painting completed by the Spanish artist Francisco Goya between 1793 and 1794. Goya said that the painting was informed by scenes of institutions he had witnessed as a youth in Zaragoza. [1] It was painted around the time when Goya’s deafness and mental illness were ...
Francisco José de Goya y Lucientes (/ ... little is known about his thoughts. He had a severe and undiagnosed illness in 1793 that left him deaf, ...
[1] [2] By the time he returned to Madrid, in 1793, Goya was completely deaf. Various diagnoses of this illness have been offered: syphilis , lead poisoning , cerebrovascular disease , acute infection of the central nervous system, and the rare condition of Vogt-Koyanagi-Harada syndrome —temporary inflammation of the uveal tract associated ...
In the year 1792, Goya contracted an illness that left him permanently deaf; historians are unsure what the precise illness was that he suffered from, but it is speculated that Goya contracted either lead poisoning or "colic of Madrid" (a metal poisoning produced by cooking utensils), or some form of palsy. This illness caused him to suffer ...
Josep Gudiol dated the Witches series to between 1794 and 1795, which coincided with the period of the painter's recovery after a severe illness that left him completely deaf between 1792 and 1793. [18] Gradually returning to work, Goya focused on painting smaller works that required less physical effort.
Prison Interior (Spanish: Interior de cárcel) is an oil-on-canvas painting completed by the Spanish artist Francisco Goya (1746–1828) between 1793 and 1794. The painting is bathed in a dim, cold light which gives it an appearance of purgatory.
The Madhouse (Spanish: Casa de locos) or Asylum (Spanish: Manicomio) is an oil on panel painting by Francisco Goya.He produced it between 1812 and 1819 based on a scene he had witnessed at the then-renowned Zaragoza mental asylum. [1]
Josep Gudiol dated the Witches series to between 1794 and 1795, which coincided with the period of the painter's recovery after a severe illness that left him completely deaf between 1792 and 1793. [17] Gradually returning to work, Goya focused on painting smaller works that required less physical effort.