Search results
Results from the WOW.Com Content Network
This is a list of musical compositions or pieces of music that have unusual time signatures. "Unusual" is here defined to be any time signature other than simple time signatures with top numerals of 2, 3, or 4 and bottom numerals of 2, 4, or 8, and compound time signatures with top numerals of 6, 9, or 12 and bottom numerals 4, 8, or 16.
Trois mélodies is a set of mélodies for solo voice and piano, by Gabriel Fauré. It consists of "Après un rêve" (Op. 7, No. 1), one of Faure's most popular vocal pieces, "Hymne" (Op. 7, No. 2), and "Barcarolle" (Op. 7, No. 3). The songs were written between 1870 and 1877, and published in 1878. [1] They were not, however, originally ...
Bob Johnston. Audio. "Sad Eyed Lady of the Lowlands" on YouTube. " Sad Eyed Lady of the Lowlands " is a song by the American singer-songwriter Bob Dylan. First released as the final track on Dylan's seventh studio album, Blonde on Blonde (1966), the song lasts 11 minutes and 23 seconds, and occupies the entire fourth side of the double album.
In the time signature 6 8, ... The melodic lines in bars 1–4 and 5–8 are (almost) identical, and both form hypermetric spans. ... Metric Displacement in the Piano ...
Most time signatures consist of two numerals, one stacked above the other: The lower numeral indicates the note value that the signature is counting. This number is always a power of 2 (unless the time signature is irrational), usually 2, 4 or 8, but less often 16 is also used, usually in Baroque music. 2 corresponds to the half note (minim), 4 to the quarter note (crotchet), 8 to the eighth ...
Living in the Past (song) " Living in the Past " is a song by British progressive rock group Jethro Tull. It is one of the band's best-known songs, and it is notable for being written in the unusual 5. 4 time signature. The use of quintuple meter is quickly noted from the beginning rhythmic bass pattern, though it can also be explained as a ...
Simple quintuple meter can be written in 5. 4 or 5. 8 time, but may also be notated by using regularly alternating bars of triple and duple meters, for example 2. 4 + 3. 4. Compound quintuple meter, with each of its five beats divided into three parts, can similarly be notated using a time signature of 15. 8, by writing triplets on each beat of ...
The work opens in 6/8 time like the first, but Fauré varies the time signature to an unexpected 9/8 in the middle of the piece. [47] Barcarolle No. 3 in G ♭ major, Op. 42 (1885) The third barcarolle is dedicated to Henriette Roger-Jourdain, wife of Fauré's friend, the painter Roger-Joseph Jourdain .