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This poem can be read as a declaration of independence for American poetry. The new world's "inchling" poets [3] are defiant towards the traditional literary canon, and particularly defiant against the unnamed, arrogant, self-appointed gatekeeper of literary tradition; they are confident instead in their own free powers of innovation in the New World.
Epicurus was not an atheist, although he rejected the idea of a god concerned with human affairs; followers of Epicureanism denied the idea that there was no god. While the conception of a supreme, happy and blessed god was the most popular during his time, Epicurus rejected such a notion, as he considered it too heavy a burden for a god to have to worry about all the problems in the world.
"The Gods of the Copybook Headings" is a poem by Rudyard Kipling, characterized by biographer Sir David Gilmour as one of several "ferocious post-war eruptions" of Kipling's souring sentiment concerning the state of Anglo-European society. [1] It was first published in the Sunday Pictorial of London on 26 October 1919.
The "Stalin Epigram", also known as "The Kremlin Highlander" (Russian: Кремлёвский горец) is a satirical poem by the Russian poet Osip Mandelstam, written in November 1933. The poem describes the climate of fear in the Soviet Union. [1] Mandelstam read the poem only to a few friends, including Boris Pasternak and Anna Akhmatova.
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...
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The pattern for the number of stresses in this poem is 3-3-4-4-4-3. Flow-er in the cran-nied wall, I pluck you out of the cran-nies, I hold you here, root and all, in my hand, Little flow-er—but if I could un-der-stand. What you are, root and all, and all in all, I should know what God and man is. The poem also follows an ABCCAB rhyme scheme.
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