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This poem can be read as a declaration of independence for American poetry. The new world's "inchling" poets [3] are defiant towards the traditional literary canon, and particularly defiant against the unnamed, arrogant, self-appointed gatekeeper of literary tradition; they are confident instead in their own free powers of innovation in the New World.
Omnipotence, they say, does not mean that God can do anything at all but, rather, that he can do anything that is logically possible; he cannot, for instance, make a square circle. Likewise, God cannot make a being greater than himself, because he is, by definition, the greatest possible being. God is limited in his actions to his nature.
The "Stalin Epigram", also known as "The Kremlin Highlander" (Russian: Кремлёвский горец) is a satirical poem by the Russian poet Osip Mandelstam, written in November 1933. The poem describes the climate of fear in the Soviet Union. [1] Mandelstam read the poem only to a few friends, including Boris Pasternak and Anna Akhmatova.
"And Can It Be That I Should Gain?" is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. [1] The hymn celebrates personal salvation through the death and resurrection of Jesus , and is one of the most popular Methodist hymns today.
The poem is an ode, and its subject is the pursuit of the human soul by God's love - a theme also found in the devotional poetry of George Herbert and Henry Vaughan. Moody and Lovett point out that Thompson's use of free and varied line lengths and irregular rhythms reflect the panicked retreat of the soul, while the structured, often recurring refrain suggests the inexorable pursuit as it ...
We may not know, we cannot tell, What pains he had to bear, But we believe it was for us He hung and suffered there. He died that we might be forgiven, He died to make us good; That we might go at last to heaven, Saved by his precious Blood. There was no other good enough To pay the price of sin; He only could unlock the gate Of heaven, and let ...
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In 1971, Les Crane used a spoken-word recording of the poem as the lead track of his album Desiderata. [20] His producers had assumed that the poem was too old to be copyrighted, but the publicity surrounding the record led to clarification of Ehrmann's authorship and the eventual payment of royalties.