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"To be, or not to be" is a speech given by Prince Hamlet in the so-called "nunnery scene" of William Shakespeare's play Hamlet (Act 3, Scene 1). The speech is named for the opening phrase, itself among the most widely known and quoted lines in modern English literature, and has been referenced in many works of theatre, literature and music.
However Harold Jenkins does not agree, having studied the few examples that are used to support that idea, and finds that there is no support for the assumption that "nunnery" was used that way in slang, or that Hamlet intended such a meaning. The context of the scene suggests that a nunnery would not be a brothel, but instead a place of ...
Hendiadys is one rhetorical type found in several places in the play, as in Ophelia's speech after the nunnery scene ("The expectancy and rose of the fair state" and "I, of all ladies, most deject and wretched" are two examples). Many scholars have found it odd that Shakespeare would, seemingly arbitrarily, use this rhetorical form throughout ...
Since Polonius is now sure that Hamlet is lovesick for Ophelia, he thinks Hamlet will express his love for her. Claudius agrees to try the eavesdropping plan later. The plan leads to what is commonly called the "Nunnery Scene", [ 6 ] from its use of the term nunnery which would generally refer to a convent , but at the time was also popular ...
What follows is an overview of the main characters in William Shakespeare's Hamlet, followed by a list and summary of the minor characters from the play. [1] Three different early versions of the play survive: known as the First Quarto ("Q1"), Second Quarto ("Q2"), and First Folio ("F1"), each has lines—and even scenes—missing in the others, and some character names vary.
This phrase is sometimes mistakenly rendered as "to the manor born", and used to mean 'of the privileged class”; see references for more on this one. In recent years this misconception has spread through the popularity of the British sitcom To the Manor Born , the title of which was a deliberate pun on Shakespeare's phrase.)
In Hamlet, Rosencrantz and Guildenstern always appear as a pair, except in editions following the First Folio text, where Guildenstern enters four lines after Rosencrantz in Act IV, Scene 3. [ 1 ] The two courtiers first appear in Act II , Scene 2, where they attempt to place themselves in the confidence of Prince Hamlet , their childhood friend.
Scene Location Appr. # lines Synopsis I 1 Vienna. An apartment in the Duke's palace. 89 I 2 Vienna. A street. 175 I 3 Vienna. A monastery. 57 I 4 Vienna. A nunnery. 99 II 1 A hall in Angelo's house. 259 II 2 Another room in Angelo's house. 218 II 3 A room in a prison. 47 II 4 A room in Angelo's house. 199 III 1 A room in the prison. 268 III 2