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On 18 January 2010, ABC News reported Trijicon was placing references to verses in the Bible in the serial numbers of sights sold to the United States Armed Forces. [1] The "book chapter:verse" cites were appended to the model designation, and the majority of the cited verses are associated with light in darkness, referencing Trijicon's specialization in illuminated optics and night sights.
Plus, they might even spark the idea for a new Christmas Instagram caption to pair with your photos. Embrace the true meaning of Christmas with even more festive ideas: Get Everyone in the Holiday ...
In Judaism, bible hermeneutics notably uses midrash, a Jewish method of interpreting the Hebrew Bible and the rules which structure the Jewish laws. [1] The early allegorizing trait in the interpretation of the Hebrew Bible figures prominently in the massive oeuvre of a prominent Hellenized Jew of Alexandria, Philo Judaeus, whose allegorical reading of the Septuagint synthesized the ...
"Christ and the Rich Young Ruler" by Heinrich Hofmann. Jesus and the rich young man (also called Jesus and the rich ruler) is an episode in the life of Jesus recounted in the Gospel of Matthew 19:16–30, the Gospel of Mark 10:17–31 and the Gospel of Luke 18:18–30 in the New Testament.
Matthew 4:7 is the seventh verse of the fourth chapter of the Gospel of Matthew in the New Testament. Satan has transported Jesus to the pinnacle of the Temple of Jerusalem and told Jesus that he should throw himself down, as God in Psalm 91 promised that no harm would befall him.
In the King James Version of the Bible the text reads: Blessed are the pure in heart: for they shall see God. The World English Bible translates the passage as: Blessed are the pure in heart, for they shall see God. The Novum Testamentum Graece text is: μακάριοι οἱ καθαροὶ τῇ καρδίᾳ,
The Mote and the Beam is a parable of Jesus given in the Sermon on the Mount [1] in the Gospel of Matthew, chapter 7, verses 1 to 5. The discourse is fairly brief, and begins by warning his followers of the dangers of judging others, stating that they too would be judged by the same standard.
Many images are ambiguous, presumably deliberately, and can be read as the Virgin either feeling faint, or simply stricken with grief. One major work to depict the Swoon is The Descent from the Cross by Rogier van der Weyden ( Prado , c. 1435), in which the body of the Virgin, with eyes closed, is parallel to that of her son just above.