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Pages in category "19th-century Italian painters" The following 200 pages are in this category, out of approximately 1,367 total. This list may not reflect recent changes .
From the second half of the 18th century through the 19th century, Italy went through a great deal of socio-economic changes, several foreign invasions and the turbulent Risorgimento, which resulted in the Italian unification in 1861. Thus, Italian art went through a series of minor and major changes in style.
Following is a list of Italian painters (in alphabetical order) ... Camillo Gioja Barbera (19th century) Luca Giordano (1634–1705) Giorgione (c. 1477–1510)
The word macchia was commonly used by Italian artists and critics in the 19th century to describe the sparkling quality of a drawing or painting, whether due to a sketchy and spontaneous execution or to the harmonious breadth of its overall effect.
The Macchiaioli (Italian pronunciation: [makkjaˈjɔːli]) were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour.
Giuseppe De Nittis (February 25, 1846 – August 21, 1884) [1] was one of the most important Italian painters of the 19th century, whose work merges the styles of Salon art and Impressionism. Biography
Self-portrait (date unknown) Domenico Morelli (4 August 1823 – 13 August 1901) [1] was an Italian painter, who mainly produced historical and religious works. Morelli was immensely influential in the arts of the second half of the 19th century, both as director of the Accademia di Belle Arti in Naples, but also because of his rebelliousness against institutions: traits that flourished into ...
He had settled meanwhile at Florence, where his fight for the independence of art from worn-out traditions was no less strenuous. Here he completed a Donne sulla spiaggia di Porto d'Anzio (Girl on the Beach of Porto d'Anzio). He also became known as a landscape-painter of remarkable originality, and of great influence in the return to minute ...
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