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Eddie Leonard (October 17, 1870 [citation needed] – July 28, 1941), born Lemuel Gordon Toney, was a vaudevillian and a man considered the greatest American minstrel of his day, at a time when minstrel shows were an acceptable and popular mainstream entertainment in the United States. [1]
The Birth, the Life and the Death of Christ (French: La vie du Christ) is a 1906 French silent short film directed by Alice Guy-Blaché. The film is based on the traditional story of Jesus Christ as related in the Bible .
Character actor who often played commanding or villainous characters in films in the 1920s. [88] Lizzie Miles: March 31, 1895 March 17, 1963 American Blues singer. Toured the south in theatres and circuses. She also toured with minstrel shows. [89] Miller and Lyles American Comic duo and well known comic writers.
The Virginia Minstrels put on a full minstrel show at the New York Bowery Amphitheatre on 6 February 1843. Whitlock was the most famous of the foursome, [5] but soon all four names became well known as they toured New York and Boston. Whitlock's banjo was long-necked and four-stringed, though a fifth was added by 1844.
West was born on June 18, 1853, in Syracuse, New York. [1]He often produced and played minstrel shows with George H. Primrose, first with a minstrel troupe owned by J. H. Haverly, and later in a show known as Primrose and West starring entertainers Milt G. Barlow and George Wilson, under the management of Henry J. Sayers.
Billy B. Van (born William Webster Van de Grift; August 3, 1870 – November 16, 1950) was a prominent American entertainer in the early decades of the 1900s.He was a star, progressively, in minstrel shows, vaudeville, burlesque, the New York stage, and movies.
Lew Dockstader (born George Alfred Clapp; August 7, 1856 – October 26, 1924) was an American singer, comedian, and vaudeville star, best known as a blackface minstrel show performer. Dockstader performed as a solo act and in his own popular minstrel troupe.
Kersands began performing with traveling minstrel troupes in the early 1860s. As black minstrelsy gained popularity, Kersands became its biggest star. In 1879, he earned about $15 a week, but by 1882, he was reportedly earning $80, only slightly less than a featured white minstrel. He was known to have earned $250 a week during European ...