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Rationalist-Fascist architecture was an Italian architectural style developed during the Fascist regime and in particular starting from the late 1920s. It was promoted and practiced initially by the Gruppo 7 group, whose architects included Luigi Figini , Guido Frette, Sebastiano Larco, Gino Pollini , Carlo Enrico Rava, Giuseppe Terragni ...
This list of house styles lists styles of vernacular architecture – i.e., ... used in the design of houses. African. Cape Dutch (South Africa) ...
Palazzo style refers to an architectural style of the 19th and 20th centuries based upon the palazzi (palaces) built by wealthy families of the Italian Renaissance. The term refers to the general shape, proportion and a cluster of characteristics, rather than a specific design; hence it is applied to buildings spanning a period of nearly two ...
The Italian term trullo (from the Greek word τρούλος, cupola) refers to a house whose internal space is covered by a dry stone corbelled or keystone vault. Trullo is an Italianized form of the dialectal term, truddu, used in a specific area of the Salentine peninsula (i.e. Lizzaio, Maruggio, and Avetrana, in other words, outside the Murgia dei Trulli proper), where it is the name of the ...
His style became a prototype for Neoclassical architecture, and his designs were copied and imitated for centuries across the world. [2] 1598–1680 – Gian Lorenzo Bernini becomes one of Italy's most influential architects and designers during the Roman and Italian Baroque period, re-designing the columns in Saint Peter's Square, Vatican City ...
Venetian Gothic is the particular form of Italian Gothic architecture typical of Venice, originating in local building requirements, with some influence from Byzantine architecture, and some from Islamic architecture, reflecting Venice's trading network. Very unusually for medieval architecture, the style is at its most characteristic in ...
A number of churches in this period followed the style of San Francesco in Bologna and were built of red brick, plastered on the inside, instead of stone. The architects of many Italian Gothic churches ignored the French Gothic use of flying buttresses and used wooden tie beams across the nave to support the upper walls. [9]
Particularly, this design ethos reconciled the modern aesthetic ideals with religion, since this particular motif was not inimical to the priorities of the modern Italian architects. It gave rise to the so-called "secular-spirituality" – an element in Italian modernism – that focuses on the concept of enlightened rationalism. [ 1 ]