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Scientific pitch, also known as philosophical pitch, Sauveur pitch or Verdi tuning, is an absolute concert pitch standard which is based on middle C (C 4) being set to 256 Hz rather than ~ 261.63 Hz, [a] making it ~ 31.77 cents lower than the common A440 pitch standard.
A440 (also known as Stuttgart pitch [1]) is the musical pitch corresponding to an audio frequency of 440 Hz, which serves as a tuning standard for the musical note of A above middle C, or A 4 in scientific pitch notation. It is standardized by the International Organization for Standardization as ISO 16.
The initial standard was A = 439 Hz ⓘ, but this was superseded by A = 440 Hz, possibly because 439 Hz was difficult to reproduce in a laboratory since 439 is a prime number. [22] In 1964, of 31 top professional U.S. orchestras, 19 were tuning at 440, the others at 441 or 442. [23]
For standard A440 pitch equal temperament, the system begins at a frequency of 16.35160 Hz, which is assigned the value C 0. The octave 0 of the scientific pitch notation is traditionally called the sub-contra octave , and the tone marked C 0 in SPN is written as ,,C or C,, or CCC in traditional systems, such as Helmholtz notation .
This is the most common tuning system used in Western music, and is the standard system used as a basis for tuning a piano. Since this scale divides an octave into twelve equal-ratio steps and an octave has a frequency ratio of two, the frequency ratio between adjacent notes is then the twelfth root of two, 2 1/12 ≋ 1.05946309... .
Music archival Yes No Yes No No Opus: Xiph.Org Foundation, Internet Engineering Task Force: 2012-09-11 RFC 6716 (libopus 1.5.1) Free libopus, FFmpeg Speech, VoIP, Low latency, Studio/transmitter link, wireless audio, voice recording, WebRTC Yes Yes No Yes [29] No OSQ: Steinberg: 2002 ? Free WaveLab: FFmpeg (decoding only) Music archival Yes No ...
The quantity log 2 ( f / 440 Hz ) is the number of octaves above the 440 Hz concert A, or A 4, or a ′ . Multiplying it by 12 gives the number of semitones above 440 Hz (the value is negative if the frequency f is lower in pitch than 440 Hz).
The selection of the sample rate was based primarily on the need to reproduce the audible frequency range of 20–20,000 Hz (20 kHz). The Nyquist–Shannon sampling theorem states that a sampling rate of more than twice the maximum frequency of the signal to be recorded is needed, resulting in a required rate of greater than 40 kHz. The exact ...
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