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In classical architecture, an architrave (/ ˈ ɑːr k ɪ t r eɪ v /; from Italian architrave 'chief beam', also called an epistyle; [1] from Ancient Greek ἐπίστυλον (epistylon) 'on the column') is the lintel or beam, typically made of wood or stone, that rests on the capitals of columns.
The lintel may be called an architrave, but that term has alternative meanings that include more structure besides the lintel. The lintel is a structural element that is usually rested on stone pillars or stacked stone columns, over a portal or entranceway.
A building's surface detailing, inside and outside, often includes decorative moulding, and these often contain ogee-shaped profiles—consisting (from low to high) of a concave arc flowing into a convex arc, with vertical ends; if the lower curve is convex and higher one concave, this is known as a Roman ogee, although frequently the terms are used interchangeably and for a variety of other ...
Plans are usually "scale drawings", meaning that the plans are drawn at specific ratio relative to the actual size of the place or object. Various scales may be used for different drawings in a set. For example, a floor plan may be drawn at 1:50 (1:48 or 1 ⁄ 4 ″ = 1′ 0″) whereas a detailed view may be drawn at 1:25 (1:24 or 1 ⁄ 2 ...
The architrave, the lowest band, is split, from bottom to top, into the guttae, the regulae, and the taenia. The frieze is dominated by the triglyphs, vertically channelled tablets, separated by metopes, which may or may not be decorated. The triglyphs sit on top of the taenia, a flat, thin, horizontal protrusion, and are finished at the bottom ...
Architrave A formalized lintel, the lowest member of the classical entablature. Also the moulded frame of a door or window (often borrowing the profile of a classical architrave). Area or basement area In Georgian architecture, the small paved yard giving entry, via "area steps", to the basement floor at the front of a terraced house. Arris
The Corinthian architrave is divided in two or three sections, which may be equal, or may bear interesting proportional relationships, to one with another. Above the plain, unadorned architrave lies the frieze, which may be richly carved with a continuous design or left plain, as at the U.S. Capitol extension. At the Capitol the proportions of ...
Similar visual effects are more often achieved by giving column shafts several flat faces. The Heliodorus pillar of about 113 BC has three different zones with 8, 16 and 32 flat faces (lowest first), with a round zone above that. [31] Fluting was also used in capitals, in contrast to the Greco-Roman tradition.