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"Samson and Delilah" (Terminator: The Sarah Connor Chronicles), an episode of the TV series Terminator: The Sarah Connor Chronicles; Samson and Delilah, the club mascots of the Sunderland A.F.C. English football club "Samson and Delilah" is a short story by D. H. Lawrence in his short story collection England, My England and Other Stories
"Samson and Delilah" is a traditional song based on the Biblical tale of Samson and his betrayal by Delilah. Its best known performer is perhaps the Grateful Dead, who first performed the song live in 1976, with guitarist Bob Weir singing lead vocals. The 1977 album Terrapin Station featured a studio recording of the song.
Under the name Zelelponith, she is referred to in rabbinical sources—Midrash Numbers Rabbah Naso 10 and Bava Batra 91a [3] —as being the wife of Manoah and mother of Samson, the famous judge. According to the ancient Rabbinic tradition, Hazzelelponi was married to Manoah. She also had a daughter called Nishyan or Nashyan. [4] [5]
Samson was a tragédie en musique in five acts and a prologue with a libretto by Voltaire. The work was never staged due to censorship, although Voltaire later printed his text. Rameau intended the opera on the theme of Samson and Delilah as the successor to his debut Hippolyte et Aricie, which premiered in October 1733
"Samson and Delilah" was first released in January 1972 in France with the B-side "Sacramento (A Wonderful Town)". Elsewhere, "Sacramento" had been released as the A-side with a different B-side. "Samson and Delilah" was then released in the Netherlands and Germany in March 1972 with the B-side "The Talk of All the U.S.A.".
Sam and Delilah" is a song composed by George Gershwin, with lyrics by Ira Gershwin. It was introduced by Ethel Merman in the 1930 musical Girl Crazy . [ 1 ] The song is an interpretation of the biblical story of Samson and Delilah in the Book of Judges of the Hebrew Bible .
Samson and Delilah is a 1630 painting by Anthony van Dyck. Like his 1620 version of the subject , it is in the style of his former master Peter Paul Rubens . Unlike Rubens, however, van Dyck shows Delilah seemingly appalled at her own betrayal of Samson and regretting her act of treason, whereas Rubens showed him as a captive and her as an ...
Samson and Delilah is a 1629–1630 painting by Rembrandt, now in the Gemäldegalerie, Berlin. [1] It is first recorded in Frederick Henry of Orange's collection in the Hague in 1632 and passed down through the family until Huis Honselaarsdijk and its contents were bequeathed to Frederick I of Prussia on the death of William III of Orange.