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Jalan yang Jauh, Jangan Lupa Pulang: Visinema Pictures: 866.367 10 Hello Ghost: Falcon Pictures 613.312 11 Mangkujiwo 2: MVP Pictures: 555.934 12 Hati Suhita: Starvision Plus: 507.167 13 Bayi Ajaib: Falcon Pictures 434.228 14 Susuk: Kutukan Kecantikan: Visinema Pictures: 422.426 15 Galaksi: Rapi Films: 421.216
www.mi.com /global /miui (Global) home .miui .com (Mainland China) MIUI [ a ] is a deprecated mobile operating system by Xiaomi for its smartphones and devices, from 2010 to 2023, [ 3 ] [ 4 ] [ 5 ] prior to the launch of its successor Xiaomi HyperOS .
Maxstream Original, Indonesia Tourism Development Corporation, BUMN, IFI Sinema, E-Motion Entertainment 5.084 [15] Kukira Kau Rumah: Umay Shahab: Prilly Latuconsina, Jourdy Pranata, Shenina Cinnamon, Raim Laode, Unique Priscilla, Kiki Narendra Drama Phycology MD Pictures, Sinemaku Pictures 2.219.265 [16] 4 Arini by Love.inc: Adrianto Sinaga
Universal Flash Storage (UFS) is a flash storage specification for digital cameras, mobile phones and consumer electronic devices. [ 1 ] [ 2 ] It was designed to bring higher data transfer speed and increased reliability to flash memory storage, while reducing market confusion and removing the need for different adapters for different types of ...
The Raid 2 (Indonesian: The Raid 2: Berandal, lit. 'thug'; Japanese: ザ・レイド Gokudo, lit. 'gangster'), [5] [6] [7] also known as The Raid: Retaliation, is a 2014 Indonesian action thriller film written, directed and edited by the Welsh filmmaker Gareth Evans.
A model attribution edit summary is Content in this edit is translated from the existing Indonesian Wikipedia article at [[:id:150 Album Indonesia Terbaik]]; see its history for attribution. You may also add the template {{Translated|id|150 Album Indonesia Terbaik}} to the talk page. For more guidance, see Wikipedia:Translation.
The station's target audience consists of Koreans in Indonesia, as well as Indonesian audience interested in Korean entertainment. The channel was Launched in September 2007 at Palapa C2 satellite. [2] In 2010, it moved to Telkom 1, where it still remains.
Puput Juniman of CNN Indonesia praised the film for avoiding tropes and cliché storylines as well as for Edwin's direction, the cast performances, and Batara Goempar's cinematography. [3] Aulia Adam of Tirto.id highlighted the film's portrayal of a toxic relationship and how it plays in a patriarchal society, but felt that the film left some ...