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P. Oxyrhynchus 405 – fragment of Against Heresies from c. 200 AD. Against Heresies (Ancient Greek: Ἔλεγχος καὶ ἀνατροπὴ τῆς ψευδωνύμου γνώσεως, Elenchos kai anatropē tēs pseudōnymou gnōseōs, "On the Detection and Overthrow of the So-Called Gnosis"), sometimes referred to by its Latin title Adversus Haereses, is a work of Christian theology ...
"Three Chords and the Truth", an oft-quoted phrase coined by Harlan Howard in the 1950s which he used to describe country music; Three Chords and the Truth, a 1997 book by Laurence Leamer about the business and lifestyle of country music and its many stars; Three Chords & the Truth, a radio show hosted by Duff McKagan and Susan Holmes McKagan.
Papyrus Oxyrhynchus 405 (P. Oxy. 405 or P. Oxy. III 405) is a fragment from a copy dating to c. 200 CE [1] of the early Christian work Against Heresies, [2] written by Irenaeus of Lyon around 180 CE. It is one of the Oxyrhynchus Papyri , discovered by papyrologists Bernard Pyne Grenfell and Arthur Surridge Hunt at an ancient rubbish dump near ...
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The lyrics to the modern Civil Rights version of the song, "Keep Your Eyes on the Prize" are often attributed to Alice Wine from Johns Island, South Carolina. [8] [9] [10] Mrs. Wine was a member of the Moving Star Hall and The Progressive Club on Johns Island.
"Three Chords and the Truth" is a song co-written and recorded by American country music artist Sara Evans. It was released in July 1997 as the second single from Evans' debut album of the same name in July 1997. Despite its minor success on the Billboard country chart, it was critically acclaimed for its retro-themed production. Since its ...
u0022We would pick a decade we wished we could live in instead of this; I'd say the 1830s but without all the racists,u0022 Taylor Swift sings on her new album u0022The Tortured Poets Department ...
James Taylor sang background vocals on this version. [8] Record World said that "this James Taylor tune comes across well with [Jones'] convincing vocals" and that "Billy Sherrill's production work adds the finishing touch." [9] Allmusic critic Stephen Thomas Erlewine calls "Bartender's Blues" the strongest song on the album. [3]