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Chōyaku Hyakunin Isshu: Uta Koi (超訳百人一首 うた恋い) (English: "One Hundred Poems Super Translation: Love Song") is a Japanese historical Josei manga written and illustrated by Kei Sugita, and published by Media Factory. An anime adaptation by TYO Animations began airing in July 2012. [1]
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Nakahara displayed different emotions in his poems, which according to Rachel Dumas was often “confusion, ennui, anger, gloom, and apathy”. In some of his poems he talks about being alone and how life is filled with darkness. He often expressed a childlike wonder about humans and how they connect with the world that lays outside of our minds.
Instapoetry is a style of written poetry that emerged after the advent of social media, especially on Instagram.The term has been used to describe poems written specifically for being shared online, most commonly on Instagram, but also other platforms including Twitter, Tumblr, and TikTok.
Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
A haiku traditionally contains a kigo, a word or phrase that symbolizes or implies the season of the poem and is drawn from a saijiki, an extensive but prescriptive list of such words. Season words are evocative of images that are associated with the same time of year, making it a kind of logopoeia. [14]
Kodansha released several guidebooks for the series, with the first released on 9 November 2011. It provided a study guide for the poetry and background for the story. [72] A 4-volume novel series, Chihayafuru: Chūgakusei-hen, was published by Kodansha under their KC Deluxe imprint between 9 September 2012, [73] and 13 December 2013. [74]
Akam poetry typically explains the background of the lovers' story around three concepts: time and place (mudal), natural setting (karu) and their actions (uri). The poems often rely on these natural settings as metaphors for the lovers' actions, blending seasonal changes, the external natural features, and interior states. [ 3 ]