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Kulintang (Indonesian: kolintang, [13] Malay: kulintangan [14]) is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums.
The kulintang a tiniok is a type of Philippine metallophone with eight tuned knobbed metal plates strung together via string a top a wooden antangan (rack). Kulintang a tiniok is a Maguindanaon term meaning "kulintang with string," but they also could call them kulintang a putao , meaning "kulintang of metal."
The Maguindanao kulintang ensemble, called basalen or palabunibuniyan is the traditional gong chime ensemble of the Maguindanao.Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — southern Philippines, eastern Indonesia, eastern Malaysia, Brunei and Timor. [1]
The main purpose for kulintang music in the community is to function as social entertainment at a professional, folk level. [9] This music is unique in that it is considered a public music in the sense everyone is allowed to participate. [10] Not only do the players play, but audience members are also expected to participate. [11]
Kolintang is usually played in ensemble music. Kolintang in the Minahasan community is used to accompany traditional ceremonies, dance, singing, and music. The wood used to make Kolintang blades is light but strong local wood such as Telur wood , Wenuang wood , Cempaka wood , Waru wood , and the like which have a fiber construction. parallel.
An intricately-carved kulintang of the Maranao people One type of traditional Moro musical instrument is the kulintang , a gong made from bronze or brass found in the southern Philippines. This creates a unique sound that varies in the speed it is hit which includes the Binalig, [ 19 ] [ 20 ] Tagonggo and the Kapanirong plus others more also ...
The babendil. The babendil traditionally could be played by either genders. [5] In wooden kulintang ensembles, the kagul is usually substituted for the babendil part. [2] Among the Tausug, the Samal and the Yakan, their babendil-type instrument generally has gone into disuse (Instead, tempo is kept in check using the highest gong on the kulintangan .
Agung Percussion instrument Classification Idiophone Hornbostel–Sachs classification 111.241.2 (Sets of gongs) Developed Indonesia The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan ...