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"Mona Lisa Overdrive" is a composition in B-flat minor, featured in the movie The Matrix Reloaded, during the highway chase scene. It is written by Don Davis in collaboration with the electronica act Juno Reactor, representing a blend of film score music and trance.
It supported MP3, MP2, Ogg Vorbis, WAV, MOD, XM, IT, S3M, Audio CD and Windows Media Audio formats. Third-party plug-ins can add other audio formats and music visualization effect. Sonique can also play to audio streams. Sonique comes bundled with a test Mp3 file featuring a song snippet by Mamasutra, entitled "Sonique Theme." The comment field ...
A music download is the digital transfer of music via the Internet into a device capable of decoding and playing it, such as a personal computer, portable media player, MP3 player or smartphone. This term encompasses both legal downloads and downloads of copyrighted material without permission or legal payment.
This use of the piece, and the chase scenes themselves, have been parodied in many other films and TV shows, including Get a Life, [18] the 2006 film V for Vendetta, in the 2015 Doctor Who episode "The Girl Who Died" (with a character referring to the song as the "Benny Hill Theme") and the animated TV shows The Simpsons, Family Guy, South Park ...
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The Matrix Reloaded: The Album is a 2003 soundtrack album from the 2003 film The Matrix Reloaded.The two-disc album is unusual among soundtrack releases in that it includes separate discs for the film's songs and the score, whereas most films release the songs and the score as separate single-disc albums.
Both have been used in numerous cartoons. The first theme, sometimes referred to as "Powerhouse A", is a frantic passage typically employed in chase and high-speed vehicle scenes to imply whirlwind velocity. The slower theme, "Powerhouse B", is the "assembly line" music, which sometimes accompanies scenes of repetitive, machine-like activity.
"Chase" (also known as "The Chase") is a 1978 instrumental composition by Italian music producer Giorgio Moroder. It was released as a single during 1978 from his Academy Award-winning soundtrack album Midnight Express (1978), and was a disco instrumental that was subsequently extended and released as a maxi single.