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"The Merry Ploughboy (Off To Dublin In The Green)" was released by Dermot O'Brien (who also played accordion on the track) [6] in 1966 to mark the 50th anniversary of the Easter Rising, with an arrangement by Dominic Behan, and was number one on the Irish Singles Chart for six weeks.
By their second album release, Irishmen Johnny Patterson and Mitch McCoy were added. The band's album, The Merry Ploughboy, was the first Canadian album to be released on cassette tape. [2] McCoy departed after 2 years, replaced by Bob Lewis (of Nova Scotia). [3] This would be the usual lineup from about 1968 through the mid-70s.
[1] 27 June 4 July 11 July 18 July "Sunny Afternoon" The Kinks: 25 July "More Than Yesterday" Gregory and The Cadets: 1 August 8 August 15 August "The Travelling People" The Johnstons: 22 August "Yellow Submarine" The Beatles 29 August 5 September "Pretty Brown Eyes" Joe Dolan: 12 September 19 September 26 September "The Merry Ploughboy (Off To ...
Dermot O'Brien and the Clubmen had considerable musical success, with their hit single "The Merry Ploughboy" (a cover of a Jeremiah Lynch/Dominic Behan song about joining the Irish Republican Army) reaching the top of the Irish Singles Chart in only seven days and holding that position for six weeks in late 1966.
Dominic Behan (/ ˈ b iː ə n / BEE-ən; Irish: Doiminic Ó Beacháin; 22 October 1928 – 3 August 1989) was an Irish writer, songwriter and singer from Dublin who wrote in Irish and English. He was a socialist and an Irish republican. Born into the literary Behan family, he was one of the most influential Irish songwriters of the 20th century.
"Nell Flaherty's Drake" – written (in Irish) by Eoghan Rua Ó Súilleabháin (1748–1782), a translation of which by Frank O'Connor appeared in A Broadside, 1935. In Cork called "Ned Flaherty's Drake". [16] [21] "The Night the Goat Broke Loose on Grand Parade" – a Cork song from the 1930s, recorded by Dick Hogan (on Wonders of the World).
The Lark in the Morning is an English folk song.It was moderately popular with traditional singers in England, less so in Scotland, Ireland and the United States. It starts as a hymn to the ploughboy's life, and often goes on to recount a sexual encounter between a ploughboy and a maiden resulting in pregnancy.
In the reviewer's opinion, the songs on the album were "all sparkling with Irish wit and emotion." [ 1 ] In a specialized review of folk albums, D. K. Wilgus complimented the album for retaining a "ring of honesty" in authentically presenting Irish folk songs while suggesting that the record also strove too much to emphasize the "'felt beauty ...