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"Vespers" is a poem by the British author A.A. Milne, first published in 1923 by the American magazine Vanity Fair, and later included in the 1924 book of Milne's poems When We Were Very Young when it was accompanied by two illustrations by E.H. Shephard. It was written about the "Christopher Robin" persona of Milne's son Christopher Robin Milne.
Harner's poem quickly gained traction as a eulogy and was read at funerals in Kansas and Missouri. It was soon reprinted in the Kansas City Times and the Kansas City Bar Bulletin. [1]: 426 [2] Harner earned a degree in industrial journalism and clothing design at Kansas State University. [3] Several of her other poems were published and ...
"The Chimney Sweeper" is the title of a poem by William Blake, published in two parts in Songs of Innocence in 1789 and Songs of Experience in 1794. The poem "The Chimney Sweeper" is set against the dark background of child labour that was prominent in England in the late 18th and 19th centuries.
In his five-volume poem Paterson (1946–1958), he took Paterson, New Jersey as "my 'case' to work up. It called for a poetry such as I did not know, it was my duty to discover or make such a context on the 'thought.'" Some of his best known poems, "This Is Just to Say" and "The Red Wheelbarrow", are reflections on the everyday. Other poems ...
At the time it was written, Harkins was a bakery worker and aspiring artist living in Carlisle, Cumbria. [1] Writing in the Daily Mail in 2003, he said: [2]. I was 23 when I first met Anne Lloyd, my inspiration for the poem I called 'Remember Me'.
Sharon Ouditt, writing of women's role in the war, noted that: "For the nurses it was, like the nun's cross, the badge of their equal sacrifice." In a poem by May Wedderburn Cannan the Red Cross sign is seen to be equivalent to the crossed swords indicating her lover's death in battle: And all you asked of fame Was crossed swords in the Army List,
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712".