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Named "Kothoga" (translation: "Satan is my Father"); the name had been used for the tribe worshipping/creating Mbwun in the novel. This Kothoga is more massive and somewhat feline in shape, it has large mandibles sprouting from the side of its face, similar to a stag beetle, resembles a reptilian tiger and walks and runs like a big cat. It had ...
The Kothoga smashes into the lab through the ceiling, while D'Agosta is locked outside. The Kothoga chases Margo, corners her, and suddenly hesitates, seemingly recognizing her. Margo starts an explosive fire that incinerates the Kothoga, surviving by hiding inside a maceration tank. As dawn comes, D'Agosta and a team of police break into the ...
This is a list of monster movies, about such creatures as extraterrestrial aliens, giant animals, Kaiju (the Japanese counterpart of giant animals, but they can also be machines and plants), mutants, supernatural creatures, or creatures from folklore, such as Bigfoot or the Loch Ness Monster.
Chimera is referenced when describing the shape-shifting guardian creature that follows and protects John Smith in the movie I Am Number Four.; The character Beast from Disney's Beauty and the Beast is a Chimera-like creature, with the horns of a bison, brows of a gorilla, nose and mane of a lion, the back mane of a hyena, the tusks of a boar, the arms and chest of a bear and the hind legs and ...
In the novel Relic by Douglas Preston and Lincoln Child, the Xingu River is the location of the doomed Whittlesey/Maxwell expedition responsible for discovering evidence of the lost Kothoga tribe and their savage god Mbwun. Xingu is a 2011 Brazilian movie, directed by Brazilian film-maker Cao Hamburger.
The kappa is a popular creature of the Japanese folk imagination; its manifestations cut across genre lines, appearing in folk religion, beliefs, legends, folktales and folk metaphors. [ 4 ] In Japan, the character Sagojō ( Sha Wujing ) is conventionally depicted as a kappa : he being a comrade of the magic monkey Sun Wukong in the Chinese ...
While boo hags are a product of Gullah culture, the legend has become known on a wider scale. The legend has been used as an object lesson in stranger danger. [8] [9] The legend has also been the subject of song, [10] and poetry.
For example, before the creation of a written language, history was established by sacred myths, legend, and personal reminiscences. These sacred myths were the record of the history of the Choctaw and many other Indigenous groups, as they were for other cultures around the world.