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  2. Will the Circle Be Unbroken? - Wikipedia

    en.wikipedia.org/wiki/Will_the_Circle_Be_Unbroken?

    In 1970, the music group The Doors performed an impromptu version live in Chicago, with vocalist Jim Morrison changing the lyrics to "oh, the circle has been broken, me oh my Lord, me oh my." [5] In 1988, Spacemen 3 released a version of the song titled "May The Circle Be Unbroken" as one of the B-sides on their single "Revolution". Aside from ...

  3. Preaching chords - Wikipedia

    en.wikipedia.org/wiki/Preaching_chords

    Church musicians began playing different soul and blues music-inspired chords, chord progressions, and musical riffs on pianos and Hammond organs. These were improvised to imitate the voices of the preachers and the calls-and-responses of the congregations because it audibly sounded almost as if the preachers and congregations were singing.

  4. '50s progression - Wikipedia

    en.wikipedia.org/wiki/'50s_progression

    The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...

  5. Block chord - Wikipedia

    en.wikipedia.org/wiki/Block_chord

    A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]

  6. Shout (Black gospel music) - Wikipedia

    en.wikipedia.org/wiki/Shout_(Black_gospel_music)

    In its most standard form, shout music is characterized by very fast tempo, chromatic basslines and piano/organ chords, snare hits and hand claps on the upbeat of each beat. The organist typically plays dominant 7 chords while improvising over riffs, while the pianist typically plays counter rhythms to the established rhythmic structure.

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    It does not accurately represent the chord progressions of all the songs it depicts. It was originally written in D major (thus the progression being D major, A major, B minor, G major) and performed live in the key of E major (thus using the chords E major, B major, C♯ minor, and A major). The song was subsequently published on YouTube. [9]

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