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Scratchboard or scraperboard or scratch art [1] is a form of direct engraving where the artist scratches off dark ink to reveal a white or colored layer beneath. The technique uses sharp knives and tools for engraving into the scratchboard, which is usually cardboard covered in a thin layer of white China clay coated with black India ink.
William Morris' design for Trellis wallpaper, 1862. The Arts and Crafts movement was an international trend in the decorative and fine arts that developed earliest and most fully in the British Isles [1] and subsequently spread across the British Empire and to the rest of Europe and America.
grattage. Grattage (literally "scratching", "scraping") is a technique in surrealist painting which consists of "scratching" fresh paint with a sharp blade. [1] [2]In this technique, one typically attempts to scratch and remove the chromatic pigment spread on a prepared support (the canvas or other material) [3] in order to move the surface and make it dynamic. [4]
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In some cases, the initial layer of paint may be omitted, and the artist scrapes back the wet coat to expose the canvas underneath. However, this method is not applicable when using oil pastels. This technique is frequently employed in art classes to introduce novice art students to the sgraffito technique.
The creative arts (art as discipline) are a collection of disciplines which produce artworks (art as objects) that are compelled by a personal drive (art as activity) and convey a message, mood, or symbolism for the perceiver to interpret (art as experience). Art is something that stimulates an individual's thoughts, emotions, beliefs, or ideas ...
Mona Lisa by Leonardo da Vinci, National Gallery of Art, 8 January 1963 - 3 February 1963 ; The Mona Lisa by Leonardo da Vinci, Metropolitan Museum of Art, 7 February 1963 - 4 March 1963 ; Mona Lisa Exhibition, Tokyo National Museum, 20 April 1974 - 10 June 1974 ; References: A Treasury of Art Masterpieces: from the Renaissance to the Present ...
Duane Hanson, Woman Eating, polyester resin, fiberglass, polychromed in oil paint with clothes, table, chair and accessories, Smithsonian American Art Museum, 1971. Hyperrealism is a genre of painting and sculpture resembling a high-resolution photograph.
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