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AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
The result was the 3M Digital Audio Mastering System, which consisted of a 32-track deck (16-bit, 50 kHz audio) running 1-inch tape and a 4-track, 1/2-inch mastering recorder. 3M's 32-track recorder was priced at $115,000 in 1978 (equivalent to $537,000 in 2023).
Full Range Recording System: 5 1920: Gaumontphone: 1 1898: Hollmann–Eaves: 1 1973: IMAX 6-Track: 25 2014: IMAX 12-Track? 1933: International Recording Engineers System: 2 1992: Iwerks Digital Audio: 5 1894: Kinetophone (Dickson) 7 1888: Kinetophone (Edison) 1 1958: Kinopanorama 9-Track: 6 1913: Kinoplasticon: 12 1956: Klangfilm Magnetocord: 3 ...
4-track or 4-track tape may refer to: The 4-track cartridge as an analogue music storage format popular from the late 1950s; A 4-track tape for multitrack recording used in professional recording studios; 8-track tape, which has 4 stereo tracks and so was sometimes colloquially called "4-track tape" A quadruple track railway line
Phase 4 Stereo was a recording process created by the U.K. Decca Records label in 1961. [1] The process was used on U.K. Decca recordings and also those of its American subsidiary London Records during the 1960s. Phase 4 Stereo recordings were created with an innovative 10-channel, and later 20-channel, "recording console". [2]
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After General Electric's Pallophotophone fell out of use in the early 1930s, optical multi-track recording did not have a resurgence for nearly three decades when high fidelity and stereophonic recordings became available commercially. Walt Disney made an attempt in 1940 when he began sound production for Fantasia with the Philadelphia ...