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AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
4-track or 4-track tape may refer to: The 4-track cartridge as an analogue music storage format popular from the late 1950s; A 4-track tape for multitrack recording used in professional recording studios; 8-track tape, which has 4 stereo tracks and so was sometimes colloquially called "4-track tape" A quadruple track railway line
Sound mix list on the Internet Movie Database; Index of early sound films of the silent era, from The Progressive Silent Film List by Carl Bennett; The origins of the Firm "Tobis-Klang" The first release that used this system was the partially silent German film Melodie der Welt
Ring-and-spring microphones, such as this Western Electric microphone, were common during the electrical age of sound recording c. 1925–45.. The second wave of sound recording history was ushered in by the introduction of Western Electric's integrated system of electrical microphones, electronic signal amplifiers and electromechanical recorders, which was adopted by major US record labels in ...
The Muntz Stereo-Pak, commonly known as the 4-track cartridge, [1] is a magnetic tape sound recording cartridge technology. The Stereo-Pak cartridge was inspired by the Fidelipac 2-track monaural (audio & cue tracks, later 3-track for stereo) tape cartridge system invented by George Eash in 1954 and used by radio broadcasters for commercials ...
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Unlike the 4-track mag release-print stereo films of the period which featured four thin strips of magnetic material running down the length of the film, inside and outside the sprocket holes, the sound system developed for House of Wax, dubbed WarnerPhonic, was a combination of a 35 mm fully coated magnetic film that contained the audio tracks ...