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Bach used the cantata in Leipzig for the 15th Sunday after Trinity on 17 September 1730. The prescribed readings for the Sunday came from the Epistle to the Galatians, Paul's admonition to "walk in the Spirit" (Galatians 5:25–6:10), and from the Sermon on the Mount in the Gospel of Matthew, which exhorts the faithful not to worry about material needs, but to seek God's kingdom first (Matthew ...
[3] [8] [24] In many manuscripts and for Synagogue use, Lamentations 5:21 is repeated after verse 22, so that the reading does not end with a painful statement, a practice which is also performed for the last verse of Isaiah, Ecclesiastes, and Malachi, [25] "so that the reading in the Synagogue might close with words of comfort". [26]
Rather than setting the lessons as prescribed by the liturgy of Tenebrae, the Latin text is freely selected from the Book of Lamentations. Lasting about ten minutes, the work is in three movements: O vos omnes, Ego vir videns and Recordare, Domine, drawn respectively from chapters 1, 3 & 5.
Gorzkie żale (Polish pronunciation: [ˈɡɔʂkʲe ˈʐalɛ] Lenten (or Bitter Lamentations) is a Catholic devotion containing many hymns that developed out of Poland in the 18th century. The devotion is primarily a sung reflection and meditation on the Passion of Christ and the sorrows of His Blessed Mother.
Thou shalt not make unto thee any graven image, or any likeness of any thing that is in heaven above, or that is in the earth beneath, or that is in the water under earth: Thou shalt not bow down thyself to them, nor serve them: for I the L ORD thy God am a jealous God, visiting the iniquity of the fathers upon the children unto the third and fourth generation of them that hate me; And shewing ...
Judging by the number of copies found in the Dead Sea Scrolls, the Book of Enoch was widely read during the Second Temple period.Today, the Ethiopic Beta Israel community of Haymanot Jews is the only Jewish group that accepts the Book of Enoch as canonical and still preserves it in its liturgical language of Geʽez, where it plays a central role in worship. [6]
"Thou shalt not take the name of the L ORD thy God in vain" (KJV; also "You shall not make wrongful use of the name of the Lord your God" and variants, Biblical Hebrew: לֹא תִשָּׂא אֶת-שֵׁם-יהוה אֱלֹהֶיךָ לַשָּׁוְא, romanized: Lōʾ t̲iśśāʾ ʾet̲-šēm-YHWH ʾĕlōhēḵā laššāwəʾ ) is the second or third (depending on numbering) of God's ...
Duke Wilhelm Ernst of Saxe-Weimar, dedicatee of "Alles mit Gott und nichts ohn' ihn", BWV 1127 "Alles mit Gott und nichts ohn' ihn" (Everything with God and nothing without him), BWV 1127, is Johann Sebastian Bach's October 1713 setting of a poem in 12 stanzas by Johann Anton Mylius, Superintendent of Buttstädt, a town in the Duchy of Saxe-Weimar.