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Mandala of Buddhas is the mandala consisting of nine major Buddhas of the past and the present Gautama Buddha occupying the ten directions. Mandala of Eight Devis includes the eight Devis occupying and protecting the eight corners of the Universe. In Sigālovāda Sutta, Buddha describes the relationships of a common lay persons in Mandala style.
The third Mandala of the Rigveda has 62 hymns, mainly to Agni and Indra. It is one of the "family books" (mandalas 2-7), the oldest core of the Rigveda in Nepal, which were composed in early Vedic period (1500 – 1000 BCE). [1] Most hymns in this book are attributed to Viśvāmitra Gāthinaḥ.
The Diamond Realm is a very popular subject for mandalas, and along with the Womb Realm (garbhakoṣadhātu) Mandala forms the Mandala of the Two Realms. This mandala, along with the Womb Realm, form the core of Chinese Tangmi and Japanese Shingon rituals, including the initiation or abhiṣeka ritual. In this ritual, new initiates are ...
For example, the Malay kingdoms in Malay Peninsula, Langkasuka and Tambralinga earlier were subject to Srivijayan mandala, and in later periods contested by both Ayutthaya mandala in the north and Majapahit mandala in the south, before finally gaining its own gravity during Malacca Sultanate. [citation needed]
10.166, attributed to Anila, is a spell for the destruction of rivals, similar to 10.145, but this time to be uttered by men who want to be rid of male rivals. 10.173 and 174 are benedictions of a newly elected king. The rishis of the 10th Mandala are divided into Shudrasuktas and Mahasuktas, that is, sages who have composed "small" vs. "great ...
Gohonzon (御本尊) is a generic term for a venerated religious object in Japanese Buddhism.It may take the form of a scroll or statuary. The term gohonzon typically refers to the mainstream use of venerated objects within Nichiren Buddhism, referring to the calligraphic paper mandala inscribed by the 13th Japanese Buddhist priest Nichiren to which devotional chanting is directed.
The Taima Mandala (當麻曼荼羅,綴織当麻曼荼羅図) is an 8th century mandala in Japanese Pure Land Buddhism. It depicts Sukhavati , the western Pure Land, with the Buddha Amitābha (Japanese: Amida) in the center.